MICHAEL JACKSON FAKED HIS DEATH !

MICHAEL JACKSON IS ALIVE! Pop King faked his death, say sources, adding, ‘Comeback tour will be biggest in music history’


Billions of people around the world think pop genius Michael Jackson is dead and set to be buried but nothing could be further from the truth.
In fact, say sources in a position to know, the superstar faked his death to escape the crushing pressures of life in a fishbowl -and he is now socked away in an undisclosed location in Eastern Europe – possibly Hungary – far from the clamor and commotion of paparazzi and reporters covering his “autopsy” and “funeral” in southern California.

And in the strangest twist of all, say the insiders, once he’s rested and ready, Jackson, 50, will blow the lid off his own hoax – and embark on the most spectacularly lucrative concert tour in the history of rock ‘n’ roll.

“Michael is following in the footsteps of a man he greatly admired – another rock icon, Elvis Presley, who also faked his death and is still alive, and in hiding, today,” William Stern, who has written extensively on Presley, told me exclusively.
“Unlike Elvis, however, Michael is withdrawing from his celebrity before it destroys him. And he also is planning, once he has rested and regrouped, to stage a comeback unlike anything in rock history.

“Make no mistake, Jackson is a genius, both as a performer and showman and marketer and promoter. Remember when he made an offer to buy the remains of The Elephant Man from a British museum just to get the publicity?
“Remember when he reputedly was trying to find a way to live forever by spending hours in a hyperbaric chamber?

“If you look at his history, at some of the stunts he’s pulled to keep himself in the public eye, to maintain a sense of mystery about who he is and what he’s all about, the idea that he would fake his death makes sense.

“Let’s face it – Michael has been vilified by many in the press and by people who just don’t like him. He’s been accused of pedophilia. He’s been called ‘Wacko Jacko’ and a ‘Pop Weirdo’.

“Yes, he’s got billions of fans. Yes, he’s sold perhaps a billion records and CDs. But for all the love he gets, there are those who have been and continue to be unkind, and mean-spirited.

“I’ll make you a bet. If it takes six months, if it takes a year, if it takes two years, it doesn’t matter: When he’s rested and ready, and pulls the curtain up on his faked death, the world is going to stand still.

“With all due respect to the President of United States, Michael on a ‘Back from the Dead Tour’ will make Barack Obama look like a B-List celebrity.”

Stern’s sources say Jackson has been planning his escape for at least 16 months, but nobody, not even those who are closest to him, took him seriously, the expert said, “until now.”

“It’s unclear where he has gone – he mentioned South America, Canada, Russia, Kenya, Japan and Australia over the past year … all smokescreens, no doubt,” continued Stern.

“The best information I have suggests he is in Eastern Europe, in a medieval castle, possibly in Hungary. Right now, my sources are saying, ‘Leave him alone. Let him rest. Give him time.’

“They say that fans can help him recover by showing their love and respect for him. They say, ‘You better believe he is watching all the coverage.’ And they say fans can give Michael a boost by flashing peace signs to cameras – like he was famous for doing – and telling reporters they know he is alive.’”

THE LEGENDARY KRS-ONE

Lawrence Parker (born August 20, 1965), better known by his stage name KRS-One, is an American MC and producer. Over his career, he has been known by several pseudonyms including "Kris Parker", "The Blastmaster", "The Teacha", and "The Philosopher". At the 2008 BET Awards, KRS-One was the recipient of the Lifetime Achievement Award for all his work and effort towards the Stop the Violence Movement as well as the overall pioneering of hip-hop music and culture. He is often referred to as one of the most skilled and influential MCs of all time.


Early life

Parker was born in Brooklyn but grew up in Soundview and Mott Haven (Millbrook Housing projects being directly referred to in his lyrics) neighborhoods of the South Bronx section of New York City. In his teenage years, he frequently accompanied the Hare Krishnas and was subsequently nicknamed "Krisna", hence "Kris". "KRS-One" was originally Parker's graffiti tag, short for "Kris Number One". He began using it as his stage name and later devised a backronym for the name: "Knowledge Reigns Supreme Over Nearly Everyone" or "Knowledge Reigns Supreme Over Nearly Everybody".
KRS-One has been a vegetarian since his youth.


Boogie Down Productions

KRS-One began his recording career as one half of the hip hop group Boogie Down Productions or BDP alongside DJ Scott La Rock. They met during a stay KRS-One had at the Bronx's Franklin Avenue Armory Shelter. La Rock (real name Scott Sterling) worked as a social worker there. The duo would begin to create music. After being rejected by radio DJs Mr. Magic and Marley Marl, KRS-One would go on to diss the two and those associated with them, sparking what would later be known as The Bridge Wars. Additionally, KRS had taken offense to "The Bridge", a song by Marley Marl's protege MC Shan (later on, KRS One produced an album with Marley Marl in 2007); the song could be interpreted as a claim that Queensbridge was the birthplace of hip hop, though MC Shan has repeatedly denied this claim. Still, KRS "dissed" the song with the BDP record "South Bronx"; next, a second round of volleys would ensue with Shan's "Kill That Noise" and BDP's "The Bridge Is Over". KRS-One, demonstrating his nickname "The Blastmaster", gave a live performance that devastated MC Shan, and many conceded he had won the battle. Many believe this live performance to be the first MC battle where rappers attack each other, instead of a battle between who can get the crowd more hyped.

Parker and Sterling decided to form a rap group together, initially calling themselves "Scott La Rock and the Celebrity Three". That was short-lived, however, as the two peripheral members quit, leaving Parker (now calling himself KRS-One) and Sterling. They then decided to call themselves "Boogie Down Productions". "Success is the Word", a 12-inch single produced by David Kenneth Eng and Kenny Beck was released on indie Fresh/Sleeping Bag Records (under the group name "12:41") but did not enjoy commercial success. Boogie Down Productions released their debut album Criminal Minded in 1987. The album, whose cover pictured BDP draped in ammunition and brandishing guns, is often credited with setting the template for the burgeoning genres of hardcore and gangsta rap. Scott La Rock was killed in a shooting later that year, after attempting to mediate a dispute between teenager and BDP member Derrick "D-Nice" Jones and local hoodlums.

During this time KRS-One also gained acclaim as one of the first MCs to incorporate Jamaican style into hip hop. Using the Zungazung melody, originally made famous by Yellowman in Jamaican dance halls earlier in the decade. While KRS-One used Zunguzung styles in a more powerful and controversial manner, especially in his song titled "Remix for P is Free", he can still be credited as one of the more influential figures to bridge the gap between Jamaican music and American hip-hop.

Following the fatal shooting of Scott La Rock in 1987, KRS was determined to continue Boogie Down Productions through the tragedy, releasing the album By All Means Necessary in 1988. He was joined by beatboxer D-Nice, rapper Ramona "Ms. Melodie" Parker (whose marriage to Kris would last from 1988 to 1992), and Kris's younger brother DJ Kenny Parker, among others. However Boogie Down Productions would remain Kris's show, and their content would become increasingly political through their subsequent releases Ghetto Music: The Blueprint of Hip Hop, Edutainment, Live Hardcore Worldwide and Sex and Violence.

KRS-One was the primary initiator behind the H.E.A.L. compilation and the Stop the Violence Movement; for the latter he would attract many prominent MCs to appear on the 12-inch single "Self Destruction". As Parker adopted this "humanist", less violent approach, he turned away from his "Blastmaster" persona and towards that of "The Teacha".

After four largely solo albums under the name "Boogie Down Productions," KRS-One decided to strike out on his own. On his first solo album, 1993's Return of the Boom Bap, Parker worked together with producers DJ Premier, Kid Capri and Showbiz, the latter providing the catchy-yet-hardcore track "Sound of da Police". His second album, 1995's KRS-One, featured Channel Live on "Free Mumia", a song in which they persecute Black Civil Rights Activist C. Delores Tucker among others. Other prominent guest stars on KRS One included Mad Lion, Busta Rhymes, Das EFX and Fat Joe.

In 1991, KRS-One appeared on the alternative rock group R.E.M.'s single "Radio Song", which appeared on the band's album Out of Time, released the same year.

In 1992, Bradley Nowell from Sublime featured an acoustic song named "KRS-One" with his voice and DJ's samplers.

In 1995, KRS organized a group called Channel Live, whose album Station Identification he produced most of, along with Rheji Burrell and Salaam Remi.

In 1997, Parker surprised many with his release of the album I Got Next. The album's lead single "Step into a World (Rapture's Delight)", containing a sample of punk and New Wave group Blondie, was accompanied by a remix featuring commercial rap icon Puff Daddy; another track was essentially a rock song. While the record would be his best-selling solo album (reaching #3 on the Billboard 200), such collaborations with notably mainstream artists and prominent, easily recognizable samples took many fans and observers of the vehemently anti-mainstream KRS-One by surprise. However, in August 1997, Parker appeared on Tim Westwood's BBC Radio 1 show and vociferously denounced the DJ and the radio station more generally, accusing them of ignoring his style of hip hop in favor of commercial artists such as Puff Daddy. Although having not been in the UK since 1991, due to the fact he does not fly, he claimed "to be in touch with the people", and said that "they weren't feeling Westwood, he's a sell out and has sold his soul to the dark side." This sparked controversy in the UK since Radio One was one of the main supporters of the single "Step Into My World" and caused the album to be his best selling. Parker has since visited the UK, most notably in May 2007, in a performance at the Royal Albert Hall where he once again dissed Tim Westwood in a freestyle.

In 1999, there were tentative plans to release Maximum Strength; a lead single, "5 Boroughs", was released on The Corruptor movie soundtrack. However, Parker apparently decided to abort the album's planned release, just as he had secured a position as a Vice-President of A&R at Reprise Records Maximum Strength was released in 2008. He moved to southern California, and stayed there for two years, ending his relationship with Jive Records with A Retrospective in 2000.

Parker resigned from his A&R position at Reprise in 2001, and returned to recording with a string of albums, beginning with 2001's The Sneak Attack on Koch Records. In 2002, he released a gospel-rap album, Spiritual Minded, surprising many longtime fans; Parker had once denounced Christianity as a "slavemaster religion" which African-Americans should not follow. During this period, KRS founded the Temple of Hiphop, an organization to preserve and promote "Hiphop Kulture". Other releases have since included 2003's Kristyles and D.I.G.I.T.A.L., 2004's Keep Right, and 2006's Life.

The only latter-day KRS-One album to gain any significant attention has been Hip-Hop Lives, his 2007 collaboration with fellow hip hop veteran Marley Marl, due in large part to the pair's legendary beef, but also the title's apparent response to Nas' 2007 release Hip-Hop Is Dead. While many critics have commented they would have been a lot more excited had this collaboration occurred twenty years earlier, the album has been met with positive reviews. KRS One has appeared on several songs with other artists, due to this he has recieved 9 Gold and 7 Platinum plaques.

KRS One and Buckshot announced that they would be collaborating on an album set to be released in 2009. The first single, ROBOT, was released on May 5, 2009. The music video was directed by Todd Angkasuwan and debuted as the New Joint of the Day on 106 & Park on September 4, 2009. The album leaked on the Internet on September 9, 2009. KRS One and New York producer Domingo have squashed the beef they had and are releasing a digital single to iTunes on November 25. The single titled "Radio" will also feature Utah up and comer Eneeone and is dedicated to underground MC's that don't get the radio airplay they deserve.


Stop the Violence Movement

The Stop the Violence Movement was formed by KRS-One in 1988/1989 in response to violence in the hip hop and black communities.

During a concert by Boogie Down Productions and Public Enemy a young fan was killed in a fight. Coming soon after the shooting death of his friend and fellow BDP member Scott La Rock, KRS-One was galvanized into action and formed the Stop the Violence Movement. Composed of some of the biggest stars in contemporary East Coast hip hop, the movement released a single, "Self Destruction", in 1989, with all proceeds going to the National Urban League.[6] A music video was created, and a VHS cassette entitled Overcoming Self-Destruction - The Making of the Self-Destruction Video was also released.

"Self-Destruction" was produced by KRS-One and D-Nice of Boogie Down Productions (Hank Shocklee of the Bomb Squad is credited as an associate producer).


Temple of Hiphop

The Temple of Hiphop is a ministry, archive, School, and Society (M.A.S.S.) founded by KRS-One. Its goal is to maintain and promote hip hop culture. The Temple of Hiphop maintains that hip hop is a genuine political movement and culture, as it has been accepted by the United Nations as a culture. The Temple of Hiphop calls on all hip hop fans to celebrate Hip Hop Appreciation Week, occurring in the third week of May. It encourages DJs and MCs to teach people about the culture of Hip, to write more socially conscious songs, and radio stations to play more socially conscious hip hop. Hip Hop Appreciation Week is celebrated on the third week of May each year. Hip Hop History Month (November), founded by the Universal Zulu Nation, is also recognized.


In 2004, KRS engendered a controversy when he was quoted in a panel discussion hosted by The New Yorker magazine as saying that "we cheered when 9/11 happened". The comment drew criticism from many sources, including a pointed barb by the New York Daily News that called Parker an "anarchist" and said that "If Osama bin Laden ever buys a rap album, he'll probably start with a CD by KRS-One.

Parker responded to the commotion surrounding his comments with an editorial written for AllHipHop.com, stating:

I was asked about why hiphop has not engaged the current situation more (meaning 9/11), my response was "because it does not affect us, or at least we don’t perceive that it affects us, 9/11 happened to them". I went on to say that "I am speaking for the culture now; I am not speaking my personal opinion." I continued to say; "9/11 affected them down the block; the rich, the powerful those that are oppressing us as a culture. Sony, RCA or BMG, Universal, the radio stations, Clear Channel, Viacom with BET and MTV, those are our oppressors, those are the people that we're trying to overcome in hiphop everyday, this is a daily thing. We cheered when 9/11 happened in New York and say that proudly here. Because when we were down at the trade center we were getting hit over the head by cops, told that we can’t come in this building, hustled down to the train station because of the way we dressed and talked, and so on, we were racially profiled. So, when the planes hit the building we were like, "mmmm, justice." And just as I began to say "now of course a lot of our friends and family were lost there as well" I was interrupted...

In late 2005, KRS was featured alongside Public Enemy's Chuck D on the remix of the song "Bin Laden" by Immortal Technique and DJ Green Lantern, which blames American neo-conservatives, the Reagan Doctrine and U.S. President George W. Bush for the World Trade Center attacks, and indicates a parallel to the devaluation, destruction, and violence of urban housing project communities.

On April 29, 2007, KRS-One again defended his statements on the September 11 attacks when asked about them during an appearance on Hannity's America on the Fox News network stating that he meant that people cheered that the establishment had taken a hit, not that people were dying or had died. He also discussed amongst other things, the Don Imus scandal and the use of profanity in hip-hop.


In an interview with AllHipHop about his book "The Gospel of Hip Hop", KRS-One said:

"I’m suggesting that in 100 years, this book will be a new religion on the earth... I think I have the authority to approach God directly, I don’t have to go through any religion [or] train of thought. I can approach God directly myself and so I wrote a book called The Gospel of Hip Hop to free from all this nonsense garbage right now. I respect the Christianity, the Islam, the Judaism but their time is up. ...In a hundred years, everything that I’m saying to you will be common knowledge and people will be like, 'Why did he have to explain this? Wasn’t it obvious?

These comments have been referred to by numerous media outlets such as the AV Club who comment that "KRS-One writes 600-page hip-hop bible; blueprint for rap religion" and "KRS-One has never been afraid to court controversy and provoke strong reactions. Now the Boogie Down Productions legend has topped himself by writing The Gospel of Hip Hop: The First Instrument, a mammoth treatise on the spirituality of hip-hop he hopes will some day become a sacred text of a new hip-hop religion.


Stepson's death

Randy Hubbard Parker, stepson of KRS-One, was found dead in his Atlanta, Georgia apartment on July 6, 2007 in an apparent suicide; he was 23. Simone Parker, KRS-One's wife and Randy's mother, released a statement on July 10 that stated her son's death was related to his continuous battle with "severe depression". The Fulton County Medical Examiner's office stated that Parker died of a gunshot wound to the head, and listed the cause of death as suicide. Parker was a graphic designer and fashion entrepreneur. A private memorial service was held on July 18, which would have been his 24th birthday.


Benefit for first responders

KRS-One spoke at a hip hop benefit concert on September 12 to benefit the first responders of 9/11 he spoke of non violence to take back the country. The event was presented by the 9/11 group We Are Change based in New York City and SMT Studios.

Awards

VH1

* 2004, VH1 Hip Hop Honors

BET Hip Hop Awards

* 2007, I am Hip Hop
* 2007, Lifetime Achievement

Urban Music Awards

* 2009, Living Legend Award

TOSHIBA SATELLITE L510

3 weeks ago,I laid my hands on the new Toshiba Satellite L510 which came with Window Vista Home Premium Edition. This notebook cost me MYR2400 which is an affordable price for a medium end laptop. Specifications wise, the build-in cooling fan is fully automatic that detects heat via heat sensor. As for the display graphics, It's 14" inch full HD with 4GB of ram memory. Below is some specs review of this brand new TOSHIBA SATELLITE.








The standard 0.3 MP webcam. Not that great, but for greater quality, just plug-in external webcam.













Toshiba keyboard in Satellite L510 feels great when typing on it.












    Sound quality is debatable.












     The quick access buttons are pretty standard, just like the previous L310 series.











Offical Toshiba Specifications Sticker. Really love the Clear Superview Full HD 14.0″ Display.

Toshiba L510 also features Intel Core 2 Duo.













Card Reader slot, Volume control button and Wireless Indicator LED located at the front part.






For the LED indicators, most of them are located on the front panel, such as Charging LED, Power LED, Battery Indicator, HDD indicator and Memory Card indicator.








Not forgetting the Express Cards slot which is missing in some other brands. Toshiba did maintain this in their notebook, although it might not be put into use most of the times.








On the left side, exists the VGA port, Ethernet port, HDMI port, eSata + USB combo port, Headphone and Microphone jack. About the eSata + USB combo port, this is very convenient and good combination. If you don’t use the eSata port, you can use the USB. So, it makes this machine has 3 USB ports which is also a Must have for a good notebook.








A Double Layer DVD-RW is a necessity now and a must have for any notebook.









For connectivity, it is equipped with two USB ports, 1 modem port on the right where the DVD-RW is located.

On the design part, it has more textures now, with similar design to Satellite M300 series. And of course more elegant. Its Toshiba.

This new series of L510, which has better design, slightly smaller size, and better performance of course. All the processors that came with it has been upgraded, from T6400 to T6500, T4200 to T4300 now. High Performance works really great.














Toshiba Satellite L510 (2009)

Quote from Tupac Shakur

All I'm trying to do is survive and make good out of the dirty, nasty, unbelievable lifestyle that they gave me.

FORGET ME NOT by INGENUE FATALE

There are few things Jacob Black knows he will remember for the rest of his life.



He will never forget the day he walked home in the rain, only to meet Billy on the porch with the words, “Your mother’s gone.” There was a ripping pain in his chest and even now, he sometimes feels a twinge when he remembers her.



He will never forget the first time he is told the stories of his ancestors, full of myth and intrigue. He listens closely, but brushes aside the fables, thinking nothing more of them. For Jacob, the words are camp stories, only to be told around a fire in order to scare the others. He doesn’t miss the disapproving look Billy sends him when he laughs it off, but at the time, he couldn’t care less.



He remembers the first time he ever looked beneath the hood of a car. He can practically still smell the oil grease and the way it slicked onto his fingers. It started a hobby, a lifelong dream, and Jacob knows it is part of who he is. When Quil and Embry come over, he tries to talk shop with them, but they shrug and ask where the food is. Jacob doesn’t mind; that’s just a part of who they are.



Bella Swan’s face is forever engraved in his mind. He remembers seeing her on the beach that one night and how his heart seemed to skip a beat. The walk they took together in the moonlight is one for the memories and though he now knows she merely wanted answers, he forgives her for her cunning flirtations because he was more than willing to return the affections.



Showing up to the Forks Prom is something Jacob wishes he couldn’t remember, but the memory is there, if only because of how beautiful Bella looked with her hair curled, her face shining with happiness. If he clenches his fist hard enough, he remembers the way he held her as they danced, swaying from side to side, and he forgets that the vampire wasn’t there, watching his every move.



But above all, Jacob will never forget the day Sam Uley walked back onto the reservation saying, “I found her; she’s safe now.” There had been questions and Jacob doesn’t think he’s ever seen Sam so angry when he speaks of what he’s found out. Pure hatred and anger fills Jacob up so quickly, he feels like his body will burst and all he can think about is how he can somehow make those vampires pay for breaking Bella apart.



Even on the reservation, Jacob hears the whispers and rumors of the town high school. He thinks of what is being said about Bella and her practically comatose state of depression as he walks up the pathway to Charlie Swan’s front door. The cruiser is nowhere in sight, so Jacob’s not worried that he’ll get caught, but it’s not like he’s doing something illegal anyway.



The sun is fading in the distant sky as he knocks on the door, knowing she won’t answer, but he can’t help but try. He strains to hear anything from inside, but there’s only silence. He leans down and places the flowers in front of the door, moving as slow as he can in case Bella decides to answer the knock. By the time he straightens up again, nothing has changed and he places his fingertips on the door. He wishes he has superpowers so he can heal her; make her realize that she doesn’t need him to survive.



Later, Jacob will remember the way he felt when he left those flowers, when he felt the door beneath his fingers. That precise moment was when he decided he would be the reason Bella Swan realized she didn’t need a cold-hearted vampire stuck in his teenage years to be happy.



Jacob Black will always remember that very moment when he realized he loved Bella Swan.

TRUE STORY

The following story is true...This is one story of many that have happened (and continue to happen) in a friends house In Natchez Mississippi.

I have a really good friend who is a physician in Natchez, MS. He lives alone in an absolutely gorgeous old plantation house. During the Civil War, Union Soldiers rammed their way through a wall into the house. They dragged the owner outside, beat him and then hanged him from a tree. The slaves cut him down and tried to save him. He clung to life for three days then he died.

My friend opened his home up as a Bed & Breakfast for a while. Many people were upset to see a man in their room.....they all describe a gentleman wearing clothing not of our time. They also see a woman in a light colored dress and hear children playing somewhere outside. Many folks who have worked for him or visited him have left abruptly after either a sighting or some unexplained noises. One of his housekeepers will not venture upstairs .He himself is not afraid at all of whatever is in the house. He has on many occasions been kept awake by doors slamming , bangs on walls and ceilings. Unseen people run up and down the wooden stairs going up to his office from his sitting room. Many times, losing patience, he's gotten up and slammed a door himself, screaming out to the unseen but noisy roommates, "I've got to get some sleep so shut the f**ck up, I have to pay the mortgage on this place!" Nine times out of 10 that'll do it...having gotten the attention they wanted, they let him have his sleep.

I myself have only spent one night in the house. It was during a convention in Natchez for medical folks. I went with my wife and we stayed with my friend. The next morning while my friend went off to work and my wife was at the convention,I stayed in bed loving the lazy morning and the crisp sheets. Footsteps trotting up and down the steps woke me. The more I tried to roll over and ignore them, the more uncomfortable I became. Finally, fearing they didn't know I was in there, I felt I needed to get up and let the housekeepers do whatever they needed to do. I got up and went to the bathroom. I laughed to myself, because the light bulbs were doing the "spooky" house crackling, diming, and brightening thing. I figured it was the wiring of this old house, but it still gave me the willies. After I dressed, I went downstairs and found out I was alone. No housekeepers.....no visitors of any kind. I thought they had certainly disappeared early.

Later that night, I happened to mention to my friend about the housekeepers waking me up with the running up and down the wooden stairs. It seems that they were off that day..no one had been in the house since he had left for work that morning....but me.....!

Introduction

Rap Music first caught K-Phlow’s attention in the early 90’s with the sounds of artistes such as Cypress Hill and NWA. He started DJing at the age of 17 in 2000, when he enrolled into Playaz Universe, Malaysia's first ever DJ school. After completing the course, he stayed on and enrolled for the advanced/professional courses offered there.

Currently, he is spinning in various clubs in Penang. Under the watchful and skillful eye of accomplished Techno DJ/Producer and founder of the school, Suresh Nelson, DJ K-Phlow found his voyage into musicology fueled by the creative senses that inspired him as he moved through a collective of Rap and RnB genres, from Urban to Commercialized sound of the music today.

A year past as his thriving interest with Rap Music developed before K-Phlow was ready to unleash the fruits of his labour unto the Malaysian clubbing republic. In 2001, K-Phlow made his first showcase at Kuala Lumpur’s Bukit Bintang infamous and thriving after hours sports bar, HobnoB 21. His maturing from being a young apprentice to establishing himself as a genuine talent to be reckoned with. became swiftly apparent when he was offered a weekly residency a mere two months after his initial pro-bono jamming for the bar.

From here on it was a dizzying ride, where K-Phlow put on many hats, juggling his task as a DJ while promoting club nights to greater success through various marketing initiatives, from a steady roster of rotating talent to relationship management with his fans, sometimes silently from the behind the decks, through the voice of his music.

K-Phlow career took another swift leap with the hottest penang club called Chill Out at the trendy Gurney Drive Penang, the successor to the Gurney Hotel. Now escalated to the ranks of spinning in a mainstream club, K-Phlow attacked the decks from the get go with the same relentless passion and enthusiasm he did as he began his voyage into music.

As Chill Out courted K-Phlow to become a regular staple of its’ club night menu, K-Phlow found himself thrown with another unique opportunity to expand his musical horizons. Roxbury Club favoured a strong musical procedure, which clearly matched the club and pushed K-Phlow to transition his sounds from Rap into a broader base of OL-Skool and Retro grinds.

The rest, as they say, is history. Fast forward to the now, his continuing stint at Roxbury has seen K-Phlow hosting the lead set for the club’s important Friday and Saturday nights, in addition, he played in GLO Dance Club, the biggest club in Penang and have shared decks with both local and international acts. K-Phlow hosted numerous shows and gain his emcee capability instead of just dj’ing.

Today, K-Phlow is no longer the young amateur waiting for initiation into the big leagues, instead he has matured into the role as one of Penang leading figures as the voice of the next generation in the hip hop music scene.